David or Tannin, if you'd like a different topic title, PM me.David wrote:David said: On the back wall of my video shop, we have a "best 100 films of all time". It's collated from a combination of the (40-something) owner's personal favourites and well-known critical lists. Now, the point here is that roughly about 70% of these films are from the '60s or before. There's a huge proportion of classic Hollywood, Bergman, Kurosawa, Jean Renoir, etc. But when it comes to the great films of the last 40 years, there's comparatively low representation.
What I think this tells us (and what I think is demonstrated in most such 'lists' and popular culture in general) is that the critical establishment likes older films and music because the establishment is older people. This is the stuff that they grew up with and the stuff their books and magazines told them about.
You would think that that process would break down from generation to generation, but it's not quite as simple. Sure, Birth of a Nation might not be in many top 10s nowadays, but you'll still see it in a few top 100s. It'll take another generation or two before the great bands and film directors of our generation are given equal cultural esteem and consideration to the 'greats' of yesteryear, and perhaps that's a natural process.
Donny.
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Tannin: Yes. Obviously a biased list. That proportion doesn't make sense.David wrote:Now, the point here is that roughly about 70% of these films are from the '60s or before.
Huh? Which one did they miss?David wrote:There's a huge proportion of classic Hollywood, Bergman, Kurosawa, Jean Renoir, etc. But when it comes to the great films of the last 40 years, there's comparatively low representation.
No - wait - surely you don't mean that .... Wow! You're not telling me he forgot to list both of them?!